![]() ![]() ![]() “We had to open all doors to the irrational and keep only those images that surprised us, without trying to explain why.” Related StoriesĪ Professional Guide to Dream Interpretation “No idea or image that might lend itself to a rational explanation of any kind would be accepted,” Ebert quotes Buñuel as saying. Buñuel, who said that he’d spend 22 hours a day dreaming if given the chance, insisted on dreamlike associations for the film. ![]() The main weapon was shock: Buñuel dreamt of the moon being sliced like an eyeball, Dali of ants on his hand, and the film burst forth from there. While today dreamlike narratives are normalized, though still mystifying and jarring - from Tree of Life juxtaposing suburbia and dinosaurs to Upstream Color turning people into pigs and orchids - back then surrealists used dreams to attack the European culture they hated. Un Chien Andalou is a product of surrealist movement: Directed by Luis Buñuel, who wrote the screenplay with his college buddy Salvador Dali, the film has a logic all its own, one that, as Roger Ebert details in his superb review, came from the duo’s dreams. What do you have to blame for such brutal, absurd imagery? Well, dreams, of course. A few beats later, a young man in a suit stands staring at ants crawling on his wrist, which changes into the underarm hair of a woman, and finally a sea urchin. This week, Science of Us is exploring the latest research that helps explain what they are, what they might mean, and how they affect our waking lives.Īt the start of the 1929 silent film Un Chien Andalou (An Andalusian Dog), a barber steps out onto a balcony at night, looks up at the moon, and sees a wispy cloud pass over it - then the film cuts to a woman with her eye being held open by what looks to be to the same man, who takes a straight razor and slides it right over her armpit. Dreams are strange, misunderstood things. ![]()
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